![]() ![]() So will Landr replace professional, high-grade mastering studios? At its current incarnation, the answer is no. Of course, setting proper levels is one of your priorities when making a mix to begin with: What Landr won’t do is rescue a track or mix that’s clipping and distorting beyond reason! For producers who make tracks on tablets and phones, an inexpensive mastering service like Landr can really “up” the quality of your productions, especially if you’re just getting into mixing and arranging.įinally, for the DJ that loves making mixtapes, Landr can help smoothen a mix whose levels are all over the place. While there’s no need to master a track that’s already been mastered, I can see Landr being used by DJs who make a lot of edits – sometimes, a tiny bit of compression, EQ, and limiting can “even out” a song that we made in our laptops. A common problem with bedroom recordings is that it’s difficult to get our tracks to be as loud as what’s available out there, so we compromise by turning up the gain knob on our DJ controllers and mixers when we drop our productions during a gig. I highly recommend Landr if you’re a DJ/producer who makes original productions and remixes. ![]() ![]() This is done by tweaking EQ, compression, limiting, widening or narrowing the stereo field, and other subtle techniques that add up to create what’s called the “final master”, which is what gets sent to a CD / vinyl replication plant, or to sites like iTunes, Apple Music, and Spotify.Ĭonclusion Depending on your subscription plan, you can choose whether to download your masters as ow and hi-res MP3 files, as well as uncompressed WAV. It’s the last line of quality control before a song or album goes out for replication / distribution. This ensures that it sounds balanced and as consistent as possible throughout different playback devices (eg car stereos, club systems, earbuds), and it also increases the overall loudness of the track so it’s in the same volume range as other commercially available recordings. Mastering is the process of adding the final polish to a track or an album. Having just used it a few months back with those issues still bugging me, I uploaded three tracks to see how they’d turn out. When I heard about the latest Landr update that rolled out today, I was keen on checking how the service had come along. At the time, I felt like Landr was still very much in its infancy, so I just relied on having my work mastered by others (Joey Sturgis and John Scrip, to name a few). I remedied that on my end by just lowering the bass for my tracks, but this is something that a real, human mastering engineer is able to correct on his own, among other fixes that can really make a track sound “finished”. I’ve used Landr since it first came out late last year, and while the idea of instant mastering through the internet thrilled me, the mastered output wasn’t anything to write home about: For some of the electronic tracks I sent that were bass-heavy, I noticed an undesirable “pumping” during louder passages. It takes less than five minutes to get everything done once you’ve uploaded your track – it really is that fast. Once you pick the option you want, Landr sends you a link via e-mail to download your track. There are three types of loudness you can pick from: Low, Medium, and High, with the Low option having the softest overall loudness, and High being the loudest. Landr is an online mastering service that does the entire mastering process for you in minutes: You upload a stereo WAV file of your track, Landr runs its mastering algorithm on it, then sends it to you for preview. First Impressions / Setting up Using Landr is as simple as dragging and dropping your file onto the site – everything happens within your browser. ![]()
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